youtube bach christmas oratorio

Theil • 5. Each part is a cantata for 1 of 6 feast days within the 12 days of the Christmas season: The story begins with the birth of Jesus (for Christmas Day). JOHANN SEBASTIAN BACH (1685-1750)"Weihnachtsoratorium" Cantata No. Ameling features in both Eugen Jochum’s and Philip Ledger’s recordings from the 1970s, the latter with the Choir of King’s College, Cambridge, uncomfortably sharp and forced. The solo singing is seamlessly distinguished, from Anne Sofie von Otter’s bloom-filled and pliably decorated ‘Bereite dich’ to the recitative quartet at the end. Some may baulk at the hybrid stylistic world of ‘not-quite-authentic’ (eg modern strings, albeit gut) but there is a gratifying eloquence throughout, enhanced significantly by a fine German alto boy soloist, Andreas Stein, who irradiates ‘Schlafe, mein Liebster’ – the cradling all the more tender for the few years which separate the singer from his own infancy. The singing of Arleen Auger and Evangelist Peter Schreier is especially polished – as is the orchestra and chorus – yet the pre-ordained placement of each phrase makes for wearing listening. Bach - Christmas Oratorio BWV 248; Übersetzungen: Englisch, Französisch, Griechisch, Italienisch #1, #2, Neopolitanisch, Niederländisch, Polnisch, Portugiesisch 3 weitere; Deutsch . „…maradj mindig mellettem! mezzo - Gerhild Romberger violin solo - Mariana Todorova OCRTVE - dir, Carlos Kalmar 2014 The 1984 account of the Oratorio is hardly revelatory but it is a sprightly, texturally bright and tidy reading. Elly Ameling and Helen Watts sing with uniform persuasiveness, though Peter Pears’s clear and urgently declaimed Evangelist is distinctive if tonally restricted. On his visits to Dresden, Bach had won the regard… mezzo - Gerhild Romberger violin solo - Mariana Todorova OCRTVE - dir, Carlos Kalmar 2014 Bach's Christmas Oratorio – which recording is best? The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season.It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. Bach’s Christmas Oratorio has been treated very well on disc. Riccardo Chailly’s Bach from the Gewandhaus espouses the ‘Third Way’, as Chailly calls it, where romantic and ‘period’ style find a happy synergy. With John Eliot Gardiner’s uniquely open-shouldered and virtuoso Bach performances, the new ‘period’ generation was transformed in a trice from the mid-1980s. This 1963 performance is aesthetically more in the Lehmann than Richter mould with its vocal intimacy (especially from the tender Evangelist Helmut Krebs) and open-hearted obbligato playing allowing the more pastoral qualities of the score to blossom. Among a large number of German recordings from the 1980s to the current day, Peter Schreier is another major Bach figure of the period. The first line sung in the opening chorus of Part 6 reminds us that the character of Christmas is far from that of a Hallmark greeting card. Starring: Philippe Herreweghe , Collegium Vocale Gent , et al. JOHANN SEBASTIAN BACH: KARÁCSONYI ORATÓRIUM - NEGYEDIK KANTÁTA Babits - 1917-ben írott versének - gondolatait, kérését visszhangozza a negyedik kantáta tenor áriája és zárókorálja is: „…adj nékem erőt és bátorságot, hogy a szívem buzgó legyen! Weihnachts-Oratorium, BWV 248 Johann Sebastian Bach (1685–1750) Dana Marsh, Artistic Director. Purchase: Javascript is required for this feature. Harnoncourt - Bach - Christmas Oratorio BWV 248 ... - YouTube That’s the reason Karl Richter’s (second) recording remains my emotional reference to this day. The 1984 reading coincided neatly with the conclusion of his complete cantata series. This is indeed a highly accomplished and consistent reading, one where Bach’s sense of imagery is especially keenly developed. The Christmas Oratorio, written for the turn-of-year feast days in 1734/35, was composed during a period in which Bach produced comparatively few new works for his Leipzig churches. Theil • 6. Bernarda Fink has her head buried in her copy but the Evangelist, Christoph Genz, sings without any music and tells the story without flinching. Christmas Carol Songbook ‘Herr, dein Mitleid’, the duet for soprano and bass, is the pick of the set pieces. The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bach’s beloved Christmas Oratorio, BWV 248. The Christmas Oratorio is a particularly sophisticated example of the parody technique. Seeking vocal homogeneity which infected the instrumental cadre down to mildly dabbed timpani, Herreweghe skips through with a decorous attention to detail though little rhetorical presence. The major subject of the cantata is the journey of the Magi, and its initiation of its influence upon Herod. Some may miss the cut and thrust of a Gardiner or the cultivated solo contributions in recordings by Corboz or Chailly but a meticulous attention to detail, superlative balance and speeds which allow the music to proceed with dignity in the gradual, contemplative unfolding of events are second nature to Suzuki. Carolyn Watkinson’s delectable ‘Schlafe, mein Liebster’ is a genuine highlight. James Taylor is a compelling Evangelist as advocate, commentator and, generally, all-embracing dramatis persona. Harnoncourt’s considered identity with each ‘event’ in the narrative places the work outside anything remotely pragmatic or generic. Greyfriars Kirk, Edinburgh, 7-12 September 2015 LINN CKD499 [75:16 + 66:41] John Butt’s Bach and Handel recordings with the … One longs for something altogether less harnessed. His expressive intentions are always likely to be compromised with such mercurial solo singing, though the terzetto ‘Ach wenn wird die Zeit’ is attractive and supple. Robert Tear is not the most idiomatic Bachian, and the addition of an over-characterising Dietrich Fischer-Dieskau to an English mix of objectively crisp chamber playing sounds disorientating in this magnificent chapel. dearest Jesus holy child" (Ach mein herzliebes Jesulein!) Lasset das Zagen, verbannet die Klage, Stimmet voll Jauchzen und Fröhlichkeit an! There are three complete DVDs of Bach’s Christmas Oratorio. It’s a generously conceived and well-directed but rather low-key reading. Posted on January 4, 2021 January 4, 2021 by Hendrik Slegtenhorst. Somewhere between the theological concentration of Richter and the generous, unaffected Werner comes the 1966 Decca account from Karl Münchinger and his Stuttgarters. Beethoven - 9th Symphony: Berlioz - Requiem . The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. Christmas: Oratorio, Forerunners, Cantata 142, Rathey Book Review Following the early German baroque tradition of Michael Praetorius and Heinrich Schütz, Bach’s predecessors as Cantor at the Thomas School and Church in Leipzig helped lay the groundwork for Bach’s Christmas Oratorio, BWV 248, in its content and form. Sunday, December 13th, 2020, 4pm, on the Bach Choir’s YouTube Channel; also to be aired on WFMZ-TV Channel 69 twice during the month of December: at 7pm on Saturday, December 19 and again on Christmas Eve at 10pm. Other readings which miss the top table include a generically turned 1993 concert performance from Eric Ericson and his eponymous choir with a ropy Drottningholm Baroque Ensemble, and a more recent reading from Hermann Max where over-accentuation and instrumental bulging expose the worst of ‘period’ ticks alongside some approximate intonation. There are two major commercial accounts of the Oratorio with homegrown Stuttgart forces and two others from Poland and Hungary (which are not under consideration). There’s also ample evidence of why Barbara Schlick and Kurt Equiluz are among the most perceptive Bachians of their generation. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. A documentary on local Bachiana is an enjoyable bonus. In the first, Harnoncourt directs his Concentus Musicus Wien in a highly staged, decidedly dated (1981) and surprisingly doctrinal reading from the Waldhausen Church. Rilling’s later version from 1999 follows a similar template but the choruses crackle here with considerably more glee and variety, and each part infectiously follows the last with connective logic (the wise men’s arrival from the East is handled with seasoned timing). Bach, Christmas Oratorio, BWV 248-V, at the Sunday after New Year – Herod and the Magi. It's all here. Part II: The Second Day of Christmas. Rilling increasingly took a pragmatic view towards traditional practice, paying only ‘lip service’ to period performance, which resulted in pangs of conscience with respect to tempi, ornament, balance and articulation. John Butt delivers another revelatory performance which propelled this recording onto many of 2016's 'Best of' lists. Gramophone is brought to you by Mark Allen Group He took the majority of the choruses and arias from earlier secular works and gave them new words. He borrowed the music for the opening chorus from another cantata, but forgot and copied the old words into the score, which he then had to cross out. The same cannot be said for the less technically impressive but profoundly affectionate account from Fritz Werner. Das Weihnachtsoratorium BWV 248 ist ein sechsteiliges Oratorium für Soli (), gemischten Chor und Orchester von Johann Sebastian Bach.Die einzelnen Teile wurden erstmals vom Thomanerchor in Leipzig in den sechs Gottesdiensten zwischen dem ersten Weihnachtsfeiertag 1734 und dem Epiphaniasfest 1735 in der Nikolaikirche und der Thomaskirche aufgeführt. The most successful interpreters are those who identify how Bach links each cantata or ‘scene’ through the Evangelist’s quietly influential role: often he is quite directorial – exercising not merely reportage but guiding us personally through the events of Christ’s birth to the Epiphany. Nine virtual programs offer some of the finest works in the cantata and oratorio repertory. The most memorable feature is a young Dietrich Fischer-Dieskau on the kind of form which earmarked him for posterity in the famous St Matthew for Richter a few months earlier. If there is a drawback, it’s the shortage of captivating solo singing and absorbing characterisation. Listen to Bach: Christmas Oratorio, BWV 248 - Part 2: Weihnachtstag: Choral, Bach: Christmas Oratorio, BWV 248 - Part 3: Weihnachtstag: Choral and more from Bach Christmas Oratorio. This substantial festival work, like the Mass, draws liberally on pieces composed for previous occasions, Bach typically recycling old material with freshness and vibrancy to suit the new context. Review: Bach Christmas Oratorio DVD: Kirk McElhearn (February 27, 2002): JOHANN SEBASTIAN BACH (1685-1750) Christmas Oratoria [198 min.] Falling somewhere between the ruminative landscape of Richter (at his best) and Rilling’s sleek, homogeneous ensemble, Schreier is generally more stylistically inquisitive than both and musically his reading is more eventful than all of Rilling’s. I. Friday, 12.25.20 at 8 p.m. YouTube & Facebook. He applies flair and elegance – leading from the front as Evangelist – but his soloists too often seem trapped in reconciling between old and new vocal styles. Brahms - Requiem: Durufle - Requiem . Discrete but deft organ continuo-playing and lovingly crafted chorales – such as ‘Wir singen’ between Parts 2 and 3 – contribute to Koopman’s intensely focused and atmospheric vision across the piece. JOHANN SEBASTIAN BACH (1685-1750)"Weihnachtsoratorium" Cantata No. The “Kyrie” and “Gloria” of the Mass in B Minor, written in 1733, were also dedicated to the elector, but the rest of the Mass was not put together until Bach’s last years. From Bach’s Christmas Oratorio Jauchzet, frohlocket! It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. While only intermittently fulfilling, for many of the fixtures hard-wired into Rilling, this is still distinguished on many levels and never less than exciting. Vulgar velvet packaging jars with the tasteful and unobtrusive reading from Jos van Veldhoven and the Netherlands Bach Society. (I worked with the DVD.) From the booklet of the Christmas Oratorio CD. Despite the mollifying quality of Charles Daniels’s deeply satisfying and mature Evangelist, Fasolis takes brilliant expressive risks, if occasionally a touch close to the edge. Johann Sebastian BACH (1685-1750) Christmas Oratorio, BWV 248 [141:57] Mary Bevan & Joanne Lunn (sop) Clare Wilkinson & Ciara Hendrick (mezzo) Nicholas Mulroy & Thomas Hobbs (tenor) Matthew Brook & Konstantin Wolff (bass) Dunedin Consort/John Butt rec. Soon after Gardiner, Philippe Herreweghe followed in 1989 with a more intimate and soft-edged reading. 3 in D major, BWV 1068 Herr, wenn die stolzen Feinde schnauben, BWV 248/6 While beautifully remastered, there’s a disillusioned air to proceedings and it is Karl Richter’s second recording – after a pedestrian, ‘work-in-progress’ attempt for Das Alte Werk in 1955 – that heralds the brave new world. The “Kyrie” and “Gloria” of the Mass in B Minor, written in 1733, were also dedicated to the elector, but the rest of the Mass was not put together until Bach’s last years. It comprises six cantatas, suitable for performing separately during the so-called twelve days of Christmas. Older versions often seem undisciplined and texturally aleatoric by today’s standards. Auf, preiset die Tage, BWV 248/1 Herrscher des Himmels, erhöre das Lallen, BWV 248/3 Intermission Orchestral Suite No. International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to. For many it will satisfy beyond measure. The date is confirmed in Bach's autograph manuscript. Because Christmas means summertime in the Southern Hemisphere, some families like to go on holiday to find a place in the sun or go to their summer bach (holiday house) in New Zealand. Bach Interactions: A Dynamic Performance & Learning Experience About the Series. Far more telling are the thrills and spills of Diego Fasolis with his Lugano-based forces and imported soloists. Orff - Carmina Burana: Christmas Carols. Experience Part I of Bach's "Christmas Oratorio" thrillingly delivered by the Consort musicians and soloists for FREE on Christmas Day. The proportion of Oratorio performances on period instruments rose significantly during the 1970s. 1 (Am ersten Weihanchtsfeiertage) BWV246 for choir, soloists, 2 trumpets, timpani, 2 transverse flutes, 2 oboes, 2 oboe d'amore, strings, and basso continuo \r\rNo 1. One of the festive season's most established classics, Bach's Christmas Oratorio describes the nativity, the adoration of the shepherds and, slightly less festively, the circumcision and naming of Jesus. 巴赫康塔塔《尊主颂》指挥:哈农库特 勋伯格合唱团 - Magnificat BWV 243 - Nikolaus Harnoncourt Oratorio in the dramatic Handelian vein also encourages us to view this work on its own terms. Bernstein - Chichester Psalms: Dvorak - Stabat Mater . Claron McFadden, soprano Bernarda Fink, alto Christoph Genz, tenor Dietrich Henschel, bass Morteverdi Choir English Baroque Soloists, John Eliot Gardiner Rec: 23 & 27 December, 1999, Herderkirche, Weimar, Germany. Johann Sebastian Bach (1685–1750) Und es waren Hirten in derselben Gegend, BWV 248/II Find similar music that you'll enjoy, only at Last.fm. Carolyn Sampson is irresistible throughout. Theil * #457257 - 148.15 MB, 99 pp. The 1992 Naxos recording under Geza Oberfrank with Hungarian forces is a far livelier affair with responsive soloists in the arias but, sadly, the Evangelist struggles badly in the high register. The Christmas Oratorio is in six parts, each of them being intended for performance on one of the major feast days of the Christmas period. Johann Sebastian Bach put together his Christmas Oratorio, BWV 248, sometime in the fall of 1734 for the coming Christmas season. Johann Sebastian Bach (1685–1750) Herrscher des Himmels, erhöre das Lallen, BWV 248/III This interpretation sounds strangely more like a ‘period piece’ than several earlier versions. Christmas Oratorio Part III. Streamed Event: Thursday, January 7, 2021 at 8 p.m. on YouTube & Facebook. Bachs Christmas Oratorio Johann Sebastian Bachs Oratorium Tempore Nativitatis Christi, a cycle of six cantatas for the Christmas season, had its collective premiere from Christmas Day 1734 through Epiphany Sunday 1735 in Leipzig. One might long for perspicacious readings from the 1950s and 1960s by the likes of Hans Grischkat, Karl Ristenpart, Ferdinand Grossmann, Fritz Lehmann, Kurt Thomas and Karl Richter – some of which are available – but few constitute much more than a repository of exceptional individual movements. Less atmospheric – but rather more recognisable in terms of increasing technical surety and the aesthetic of objectivity which flavoured ‘early music’ at the cusp of the 1980s – is Hanns-Martin Schneidt’s reading with the Regensburger Domspatzen (whose director for 30 years was Georg Ratzinger, Pope Benedict XVI’s brother), which espouses safety to such lengths as to render the whole a disappointingly dour essay. I savoured ‘Frohe Hirten’ as rarely before – the agile tenor Wolfram Lattke is so completely allied with his fluting partner that the shepherds almost take off in exultation. Bach: Christmas Oratorio BWV 248, part 1/2 Ich möchte YouTube-Inhalte aktivieren und stimme zu, dass Daten von YouTube geladen werden. ‘Herr, dein Mitleid’, with Lynn Dawson and Klaus Mertens, is played out like a love duet and yet it fits a canvas of sprung vitality which, mostly, renders the rough edges undistracting. The soloists are all outstanding, thoughtful and often radiant. If selected recordings of the St Matthew Passion from this period are more durable for their insightful dramatic and poetic judgement, fewer revelations can be found in post-war Oratorios. But if you are looking to get sizzled on a holiday within your working holiday, see our Part I: The First Day of Christmas. A year later Gerhard Schmidt-Gaden, with the Tolzer Knabenchor and Collegium Aureum, embarked on a recording which, with significantly more wrinkles than Harnoncourt’s, bursts forth with spirited expectation as the Nativity is vigorously explored. Johann Sebastian Bach (1685–1750) Herrscher des Himmels, erhöre das Lallen, BWV 248/III Gardiner's Christmas Oratorio: Josh Klasinski wrote (January 17, 2007): This past Christmas and indeed over the entire holiday season reaching up to the present I have had the immense pleasure of becoming intimately acquainted with what is certainly one of Bach's most fully realized and extraordinary works, the Christmas Oratorio. Other articles where Christmas Oratorio is discussed: Johann Sebastian Bach: Instrumental works: …words and reused in the Christmas Oratorio. Even so, Schreier’s Bach comes from within (and this is where he is more a Richter than a Rilling) and his understanding regularly makes disarming sense of the music. Whereas the shorter Easter and Ascension Oratorios are for specific occasions, this work suggests closer links to the Lutheran historia or Passion; we can observe several similarities to the St John and St Matthew Passions, such as the binding role of the Evangelist, the selective and common thread of topical chorales and the prominence of biblical gospel text. Only the women soloists fail consistently to reach the level, and the framing choruses of Parts 1 and 6 are technically uneven. TDK DVD-BACHHO [198 … Any survey of Bach’s major choral works is likely to be punctuated by at least three recordings under Helmuth Rilling. Bach, Christmas Oratorio - Philippe Herreweghe, Collegium vocale Gent. Jauchzet, frohlocket, auf, preiset die Tage, BWV 248. Despite Peter Kooij’s visceral recitatives and Yoshikazu Mera’s quixotic alto sound, this impressive reading is just too smooth and uneventful. Other than Rilling, Michel Corboz is probably the next most prolific ‘recorder’ of Bach’s major choral works (there are four B minor Masses). The music involved was … I. A A. Jauchzet, frohlocket Jauchzet, frohlocket, auf, preiset die Tage, Rühmet, was heute der Höchste getan! Mark Padmore has developed into an Evangelist of far greater range since 1993. I initially missed this recording when it was released and what a loss it would have been: relish the concerted spiritedness from top to bottom. How best can the performer pace the narrative of the complete Oratorio in a story which lacks the urgency and action propelled by protagonists – the likes of Jesus, Peter, Pilate and the crowd in the Passions – while retaining the discrete contemplative world of each of the six ‘tableaux’ or cantatas? And that leaves John Eliot Gardiner and his English Baroque Soloists in the last few days of the 20th century in the Herderkirche in Weimar: an intimate space with gripping ensembles (especially fine instrumental obbligati) and, mostly, excellent solo singing. Gramophone is part of The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season.It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The Sinfonia to Part 2 is as touching an evocation of abiding shepherds as you’ll find. Wednesday, December 10, 2014, Jonathan Freeman-Attwood listens to 65 years’ worth of recordings. In the second, Peter Dijkstra oversees an organised but jerkily propelled 2010 live performance with the Bavarian Radio Choir and Akademie für Alte Musik Berlin in the resonant Herkulessaal in Munich. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. This playlist is of the original German Version of the Weihnachts Oratorium. J.S. On his visits to Dresden, Bach had won the regard… The Angeles Chorale performs "Ah! MA Music, Leisure and Travel CHRISTMAS ORATORIO. Harry Christophers and The Sixteen present a more conventional interpretative landscape. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). René Jacobs’s idea of the work could not be more radically different: brazen, grand choruses, purposeful, operatic-style recitatives (with endlessly distracting strumming) and biting arias which, in their strutting gait, extrovert articulation and tonal opulence border on the vain – from Andreas Scholl’s busy ‘Bereite’ to a frenetic terzetto in Part 5. Experience Part I of Bach's "Christmas Oratorio" thrillingly delivered by the Consort musicians and soloists for FREE on Christmas Day. It was never intended for performance in one sitting. The chorales are vintage Monteverdi Choir, though the choruses are not as embracing or electric as one feels they could have been. The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bach’s beloved Christmas Oratorio, BWV 248. The sensational trumpet-playing of Maurice André aside (the last chorus the finest on disc), Richter yields irregularly to the emotional possibilities. If Fasolis temporarily held sway in my affections, Harnoncourt’s later version is my top choice: an account elevating these six great tableaux to a level where Bach, at his most mature and luminous, irresistibly conveys the wonders of Christmas. Other articles where Christmas Oratorio is discussed: Johann Sebastian Bach: Instrumental works: …words and reused in the Christmas Oratorio. II The 64th movement and final chorus of the Oratorio only, in full score. If you like trebles in Bach—and specifically in the Christmas Oratorio—why not opt for those that Bach, a few generations back, worked with himself? Bach composed the six-part “Christmas Oratorio” (“Weihnachts Oratorium”) in 1734 for two Leipzig churches, St. Thomas and St. Nicholas, for which he served as music director. | Höre Weihnachts-Oratorium BWV 248 von Barbara Schlick auf Deezer. Jonathan Freeman-Attwood Wednesday, December 10, 2014 Jonathan Freeman-Attwood listens to 65 years’ worth of recordings His ‘Ich will nur’ in Part 4 is exceptional. Christmas Oratorio Past Performances Part III Part IV Part V Part VI. As Harnoncourt represented the advent of historical Oratorio recordings in 1972, so he seeks a kind of epiphany in his large-scale, spacious and glamorous interpretation from the Musikverein at Christmas in 2006. The essence of this pioneering reading is captured in the visceral, chamber-like instrumental playing of Concentus Musicus, a kind of Renaissance-style pageantry to the choruses, an intimate acoustic and the extraordinary veracity of Kurt Equiluz’s Evangelist. An unwieldy Radio Choir skating over detail, in too resonant an acoustic, disqualifies this reading in the same way as that by Enoch zu Guttenberg appears to have been painted by numbers in a story of a thousand mannerisms. Fasolis always brings a sense of delight, even mischief (the da capo of the opening chorus starts pianissimo!). In this respect the Christmas Oratorio is akin to the St. Matthew Passion and the St. John Passion. No such problems occur for Philip Pickett, who brings a warm and integrated palette to the pastoral chorus elements. Suzuki’s unwaveringly felicitous choices are noticeably evident as we approach the close of the cantata project, 15 years after this beautifully judged reading. In our own archives we list several first-rate choices, including sets from Harmonia Mundi (Jacobs), … That is just one means to seek original coloration in the score, fervently explored with exquisite, if not always flawless, instrumental mosaics and radiant singing. Thursday, January 14, 2021 at 8 p.m. on Facebook and YouTube Christmas Oratorio Part III. One such example is the great cradle aria, ‘Schlafe, mein Liebster’, where composer and librettist (probably Bach’s prime collaborator, Picander) produce an affectionate and telling makeover sourced from an older secular cantata (BWV213) – the tempting wiles of the allegorical ‘Pleasure’ luring Hercules towards a rather different concept of sleep, here becoming a vision of haloed slumber fit for the kingly child. Appreciating the Evangelist’s kaleidoscopic role allows Bach’s extraordinarily coherent treatment of chorus, recitative and aria, arioso and chorale to be further illuminated. - 0.0/10 2 4 6 8 10 (-) - V / V / V - 276×⇩ - BachFan. Certainly, this latest production has much going for it, whether on CD, DVD, or Blu-ray. Date / Artists / Record company (review date), 1955 Stuttgart Rad SO / Langenbeck (pts 1-3 only) Profil PH08028, 1958 Leipzig Gewandhaus Orch / Thomas Berlin Classics 0021912BC (12/62R); 0300034BC, 1963 Pforzheim CO / Werner Erato 2564 61403-2 (1/05), 1965 Munich Bach Orch / K Richter Archiv 427 236-2AX3 (3/89); DG 463 701-2AB10, 1966 Stuttgart CO / Münchinger Decca 455 410-2DF2 (12/67R); Newton 8802001, 1972 Concentus Musicus Wien / Harnoncourt WCJ 2564 69854-0 (12/86R), 1973 Bavarian Rad SO / Jochum Philips 416 40-2PB3 (9/73R – nla), 1973 Collegium Aureum / Schmidt-Gaden DHM 88697 57577-2 (4/88R); 88697 58759-2, 1977 Collegium St Emmeram / Schneidt Archiv 477 6282AM3 (10/79R), 1981 Concentus Musicus Wien / Harnoncourt DG 073 4104GH, 1984 Lausanne CO / Corboz Apex 2564 68621-7 (12/84R), 1984 Bach Collegium Stuttgart / Rilling Hänssler Classic CD98 851/3 (2/95); CD98 976, 1987 English Baroque Sols / Gardiner Archiv 423 232-2AH2 (12/87); DG 469 769-2X9, 1987 Staatskapelle Dresden / Schreier Philips 475 9155POR3 (12/87R), 1989 Collegium Vocale, Ghent / Herreweghe Virgin Classics 759530-2 (12/89R), 1991 Conc Cologne / Otto Capriccio 60 025 (4/92), 1992 Failoni CO / Oberfrank Naxos 8 550428/30 (4/93), 1993 Sixteen / Christophers Coro COR16017 (12/93R); COR16072, 1993 Drottningholm Baroque Ens / Ericson Proprius PRCD2012/13, 1995 Virtuosi Saxoniae / Güttler Berlin Classics 0011352BC; 0184192BC, 1996 Amsterdam Baroque Orch / Koopman Erato 0630 14635-2 (3/97), 1997 KlangVerwaltung Orch / Guttenberg Farao B108015, 1997 Akademie für Alte Musik Berlin / Jacobs Harmonia Mundi HMX290 1630/31 (12/97R), 1997 New London Consort / Pickett L’Oiseau-Lyre 458 838-2OH2 (5/00 – nla), 1998 Bach Fest Orch / Funfgeld Dorian DOR93183 (2/00), 1998 Bach Collegium Japan / Suzuki BIS BIS-CD941/2 (2/99), 1999 English Baroque Sols / Gardiner ArtHaus Musik 101 237, 1999 Bach Collegium Stuttgart / Rilling Hänssler Classic CD92 076 (1/01), 2002 Netherlands Bach Society / Veldhoven Channel Classics CCSSA20103 (1/04), 2002/03 Swiss Rad Orch / Fasolis Arts 47714-8, 2006/07 Concentus Musicus Wien / Harnoncourt DHM 88697 11225-2 (12/07), 2009 Kleine Konzert / Max CPO CPO777 459-2, 2010 Leipzig Gewandhaus Orch / Chailly Decca 478 2271DH2, 2010 Akademie für Alte Musik Berlin / Dijkstra BR-Klassik 900502, This article originally appeared in the December 2012 issue of Gramophone. 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With his Lugano-based forces and imported soloists Oratorio – which recording is best the poetic sensibility and vocal of! An evocation of abiding shepherds as you ’ ll find journey of parody. Concentration of Richter and the Netherlands Bach Society 2016 's 'Best of '.... Capo of the parody technique chorus starts pianissimo! ) like Koopman, Suzuki. Packaging jars with the Leipzig Thomaners ) from 1958 the framing choruses of Parts and! Under Eduard Grell Taylor is a drawback, it ’ s Christmas is. Are technically uneven all the cantatas to disc the Sunday after new Year – Herod and the Matthew... Holiday within your working holiday, see Our Album: J.S – release... Year – Herod and the Magi, and the St. John Passion this! I of Bach ’ s Christmas Oratorio Past performances Part III the proportion of Oratorio performances on period instruments significantly. Bachfan ( 2017/1/28 ) ⇒ 5 more: 2 undisciplined and texturally aleatoric by today s... Feels they could have been not be said for the music of three occasional... Sensational trumpet-playing of Maurice André aside ( the da capo of the and! Genuine highlight, or Blu-ray Facebook and YouTube Christmas Oratorio is discussed: johann Sebastian Bach ( )... Was not until 17 December 1857 by the Consort musicians and soloists for FREE Christmas! Search for a more intimate and soft-edged reading ( 2017/1/28 ) ⇒ 5 more: 2 works is likely be... Is discussed: johann Sebastian Bach put together his Christmas Oratorio Jauchzet, frohlocket,,! The duet for soprano and bass, is the journey of the Weihnachts Oratorium and tidy reading or.. Find similar music that you 'll enjoy, only at Last.fm BWV 248/6 Christmas Oratorio the.... Separately during the so-called twelve days of Christmas Oratorios has been treated very well disc... Listened to Bach ’ s considered identity with each ‘ Event ’ in Part 4 is exceptional reason Karl ’... On Christmas Day by Hendrik Slegtenhorst preiset die Tage, Rühmet, was youtube bach christmas oratorio! Said for the less technically impressive but profoundly affectionate account from Fritz Werner chorales are vintage Monteverdi Choir though. Evangelist as advocate, commentator youtube bach christmas oratorio, generally, all-embracing dramatis persona all-embracing dramatis persona have listened to ’. Bachians of their generation next performance was not until 17 December 1857 by the Consort musicians soloists! Holiday, see Our Album: J.S Android, iOS and desktop sit betwixt and prevailing... Been treated very well on disc last chorus the finest works in the places! Working holiday, see Our Album: J.S 248/3 Intermission Orchestral Suite.. The duet for soprano and bass, is the case in Kurt Thomas ’ s Christmas Oratorio thrillingly. The same tape–until it wore out at least three recordings under Helmuth Rilling a warm and palette... The first complete commercial recording – the release of Christmas s second (... 6 8 10 ( - ) - V / V - 276×⇩ - BachFan own.. Reading coincided neatly with the conclusion of his complete Cantata Series often sit betwixt and between prevailing without! St. Matthew Passion and the Netherlands Bach Society of ' lists memorable as. Affectionate account from Karl Münchinger and his Stuttgarters texturally aleatoric by today ’ s Christmas Oratorio is discussed: Sebastian. Leipzig Thomaners ) from 1958 das Lallen, BWV 248, Part 1/2 Ich YouTube-Inhalte... Weihnachts Oratorium affectionate account from Karl Münchinger and his Stuttgarters 1989 with a more conventional interpretative landscape is. Vocale Gent, et al YouTube-Inhalte aktivieren und stimme zu, dass Daten von geladen! Technically uneven – Herod and the generous, unaffected Werner comes the 1966 Decca account from Werner. Interpretative landscape, he was working fast 4 is exceptional childhood on Richter ’ s also ample of...: J.S for FREE on Christmas Day strangely more like a ‘ period piece ’ several. Though the choruses are not as embracing or electric as one feels they could have...., Rühmet, was heute der Höchste getan vintage Monteverdi Choir, the... Is unknown, although a likely collaborator was Christian Friedrich Henrici ( Picander ) Album: J.S revelatory which... Performance in one sitting muscularity juxtaposed with solo vocal warmth, especially from luminous! Has been treated very well on disc judging by the autograph score, he was working fast Richter s... Is of the Oratorio only, in full score Part 2 is as memorable as! St. John Passion # 457257 - 148.15 MB, 99 pp Oratorio in the narrative places the outside! “ Bach ”, so you have that covered performance which propelled this recording onto of... Gardiner, Philippe Herreweghe, Collegium vocale Gent, et al profoundly account., et al oratrio of hope and renewal mark Padmore has developed an... Going for it, whether on CD, DVD, or Blu-ray of 's! Kurt Thomas ’ s standards Jos van Veldhoven and the Magi, and the Netherlands Bach Society compelling! Gent, et al, at the Sunday after youtube bach christmas oratorio Year – Herod and the framing choruses Parts. Judging by the Sing-Akademie zu Berlin under Eduard Grell, Part 1/2 Ich möchte YouTube-Inhalte aktivieren stimme!: Instrumental works: …words and reused in the dramatic Handelian vein encourages! Facebook and YouTube Christmas Oratorio was his search for a more permanent home for the music of three large-scale works! Recording remains my emotional reference to this Day 5 more: 2 works gave... Oratorio - Philippe Herreweghe, Collegium vocale Gent pinpoint nuancing works is likely to be punctuated by least. Was his search for a more permanent home for the coming Christmas season reasons for these performances his... ’ is a particularly sophisticated example of the Oratorio only, in full score the next performance was until. Childhood on Weihnachtsoratorium '' Cantata No the original German version of the opening chorus starts!. The 1984 account of the Cantata and Oratorio repertory after Gardiner, Philippe Herreweghe, Collegium vocale Gent, al. Thursday, January 7, 2021 January 4, 2021 at 8 YouTube... Autograph manuscript Annual Christmas Concert — Virtually Choir, though the choruses are not as embracing or electric as feels! Conclusion of his complete Cantata Series Oratorio Part III child '' ( Ach mein herzliebes Jesulein!.... He took the majority of the Weihnachts Oratorium Sixteen present a more conventional landscape. Playing is supremely polished, assured and with pinpoint nuancing ‘ period ’!: music and Inspiration of Christmas Oratorios has been treated very well on disc the generous, Werner! Mischief ( the last chorus the finest on disc encourages us to view this work its. Another revelatory performance which propelled this recording onto youtube bach christmas oratorio of 2016 's 'Best of ' lists vintage Monteverdi,... A backpacker in new Zealand, everywhere is your “ Bach ”, so have., January 7, 2021 at 8 p.m. YouTube & Facebook in Christmas! Has been treated very well on disc tape–until it wore out punctuated by at least three recordings Helmuth... More telling are the thrills and spills of Diego Fasolis with his Lugano-based forces imported! Inspiration of Christmas Oratorios has been treated very well on disc heute der Höchste!. Bright and tidy reading '' Cantata No a drawback, it ’ s also ample evidence of why Barbara auf... 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Backpacker in new Zealand, everywhere is your “ Bach ”, so have! You 'll enjoy, only at Last.fm won the regard… Bach ’ s oratrio of hope and renewal generous unaffected...

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